Photo: Lynn McCann

Pamela Dellal
Mezzo-Soprano

performances  |  recordings

Mezzo-soprano Pamela Dellal is an acclaimed soloist and recitalist whose singing has been hailed as "lushly fluid" (The Washington Post). She made her Lincoln Center debut under world-renowned conductor William Christie, singing Messiah with the Handel and Haydn Society at Avery Fischer Hall. She has appeared in concert throughout the United States and in major cities in Europe, Australia and Japan. Her repertoire encompasses an astonishing range from 12th century monody through Renaissance songs, Baroque cantatas and oratorios, 18th-20th century art songs and operas, and premieres of new works.

"Outstanding…"~ The New York Times

"Dellal has always sung with uncommon intelligence, imagination and textual awareness...her mezzo [is] even and responsive over at least 2 1/2 octaves, unblemished by any break...dramatic, richly human, and raptly spiritual."
~ The Boston Globe

"Her exquisite vocal color was matched by musical sensitivity...deeply felt…" ~ The Worcester Telegram (top)


PERFORMANCES

Performances under acclaimed conductors such as William Christie, Christopher Hogwood, Paul McCreesh, Bernard Labadie and Roger Norrington.

Noted operatic roles including Dorabella in Mozart's Cosi Fan Tutte, Erika in Barber's Vanessa, and Lucretia in Britten's The Rape of Lucretia. Performances in other operas and oratorios including Purcell's Dido and Aeneas, Mozart's Die Zauberflöte and the c-minor Mass, and Bach's St. Matthew and St John's Passions.

Founding member of Favella Lyrica, an ensemble that performs music for two voices from the 17th and 18th centuries.

Solo recitals throughout the United States, including numerous appearances in the FleetBoston Celebrity Series.

Performances with leading ensembles such as:

Tokyo Oratorio Society
Aston Magna Institute
Boston Baroque
Dallas Bach Society
Emmanuel Music
Opera Aperta

Opera Company of Boston
National Chamber Orchestra
Baltimore Choral Arts Society
Jacksonville Symphony Orchestra
Musicians of the Old Post Road
New Boston Theatre Project (top)


RECORDINGS

Soloist on Grammy-nominated Canticles of Ecstasy, music of Hildegard von Bingen, recorded by Sequentia's women's ensemble Vox Feminae.

Numerous recordings for Arabesque Records, Artona, BMG, Dorian, Meridian, and KOCH International. (top)

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